American architectural photographer behind case study house no# 22
Pierre Koenig , Architect. Shulman's photography spread the aesthetic of California's Mid-century modern architecture around the world. Through his many books, exhibits and personal appearances his work ushered in a new appreciation for the movement beginning in the s. His vast library of images currently resides at the Getty Center in Los Angeles. In , Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright 's or Pierre Koenig 's remarkable structures, have been published countless times.
That title surely alluded to the visual modernism that changed the face of that country over the course of the 20th century, which Shulman, working in close tandem with the architects concerned, captured over a career of almost eight decades, in California especially. While the tone is broadly adulatory, the insights are real. He hated post-modernism as an architectural style to such an extent that its arrival prompted him to retire temporarily, as it turned out. It was still lived in by the owners who had commissioned it, making for some affectionate nonagenarian banter, while Hollywood cinematographer Dante Spinotti dropped by to film within its spaces. Another nice Tinseltown-linked link emerged — how frequently the houses of another Shulman collaborator, the architect John Lautner, have stood in for lairs for movie baddies.
Photos: Case Study House No. 22: The story behind L.A.'s original dream home
Architecture is nothing more than a practical combination of arts and science, and nothing symbolized this triumphal combination more than Case Study houses, a high point in modern American architecture. Between the mids and the mids, major architects of the day were invited to design affordable and efficient model homes, and some thirty of them were built, mostly in Southern California. Thus this experiment in residential architecture was gloriously captured by Shulman in his iconic black and white photographs. In the photo, the cantilevered living room appears to float diaphanously above Los Angeles. Yet this view was created as meticulously as the house itself.